... SM7B VS RE20 Frequency Response . And your voice did sound really good on twitch. I would have to say that both these mics are pretty good... but I would have to give the edge to the RE-20 for versatility. Forget about using a compressor unless you understand what I just said. Its been years since I've touched an RE20 but I've always like its sound, and haven't ever used a 320. My phone scrolled through that part, I didn't want to come off completely rude. I just see alot of users inserting a Cloudlifter to boost it. Neumann BCM705. SM7B Compared to an RE20 and MD421. It's less money than the two and has a preamp built in negating the need for a cloudlifter. It gave radio jocks, who desired it, that "voice of God" effect. The capsule is an edge-terminated design, with a 2-micron diaphragm. I finally decided to go with the Heil PR 35, not just because it's a lot cheaper than the RE20(cheapham(dot)com), but because I read lots of good reports from users on this and other forums. I prefer the Rode NT1 over either of those mics. AT2020 vs. SM7B So I (foolishly) just got a Cloudlifter, thinking it would solve the issues of the low tracking volume of my AT2020, not realizing it wouldn't work with phantom powered condensers. Art D7. Of course. Aston Stealth. Got some great help from fellow slutz on several dynamic mic suggestions for vocals on another thread. I'd also agree with that 251. Probably the two most famous singers to use it was Paul McCartntney and Stevie Wonder: I'm not crazy about either one, but the SM-7b is more versatile and a lot more flattering to a thin voice, and has bass and midrange switches to help you set the sound you want. Joined: Jun 26, 2013 Location: Burnsville, MN. As for the Cory Wong video, I like the vintage camera the most! Feels sturdy and will absolutely last you a long time. SM7b or RE20 are pretty versatile on singers. If you want a preview of what it may sound like, my VODs are available. If you want to provide feedback, ask a question or show some quality content, this is the place for you! The SM7b has gained a huge following in recent years and is perhaps best known for being the microphone used on pretty much all of Michael Jacksons vocals. I've kind of narrowed it down to two. The 320 just sounds a bit peaky to me. Press question mark to learn the rest of the keyboard shortcuts. Its Variable-D design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces vibration-induced noise. Shure SM7b. I'm a big believer that when building audio you start from a completely unfiltered source and from there you add onto it crafting the sound you feel best with. This stuff hurts my head. When you buy products through links across our site, we may earn an affiliate commission. The current rage in the rap/hip hop industry is the Sony c800g, which is considered the best microphone on the market right now. Electro Voice RE27 N/D. They all feature a good chunk of talking. YouTube - Brandon boyd (INCUBUS) a Capella, MySpace.com - Le Jaz - LONG BRANCH, New Jersey - Folk Rock / Country / Alternative - www.myspace.com/lejaz, http://www.kalamu.com/bol/wp-content...onder%2013.jpg, http://lh3.ggpht.com/WestSideforSale...o/IMG_0122.JPG, http://www.naiant.com/studiostore/microphones.html, http://www.naiant.com/studiostore/audiosamples.html, Pictures Of Mic'ed Up Drum Kits In The Studio. A quick Google search showed prices of 400USD on average. A cursory examination of images of typical US commercial radio stations will reveal the near-ubiquity in that market of the Shure SM7B and the Electro-Voice RE20 … I am impressed with how they sound. I chose sm7 for the reasons other's are saying that they prefer the re-20. I'll piggyback on both sides of this one. Thanks to its extended frequency response and silky smooth high frequency response, the SM7b continues to be a popular studio microphone on major recordings. This makes a 150 USD difference with a more complete feature you can find on Shure sm7b. Its popularity also extends into music production as a premium grade instrument microphone. sm7b vs. re20 (vs. re27nd) Thread starter rockstardave; Start date Oct 24, ... i think i want to sell the sputnik and get a LDD like the RE20, SM7b, another md421, etc. The SM7b has a somewhat recessed lows & low mids section which provides a very clean low end. It is also very resistant to EMR, which can help a lot. Its similar to the situation of the new Shure MV7 vs the SM7B. Shure sm7b cost about 400USD while Blue Yeti only 250 USD. Electro Voice RE20. I have also seen many users recommending the RE20 over it. If you’re looking for a mic that excels at speech intelligibility, Audio-Technica’s new broadcast model may be just what you’re after. Shure would have to be shooting itself in the foot if it dramatically changed the mic's characteristics so drastically. Looks like you're using new Reddit on an old browser. Shure SM57 vs Audio-Technica AT2020. That could be a make or break for choosing equipment as well. Both are going to be great. Listen to some highlights on my Twitch page if you're interested. The SM7b helps a bit more than a pencil, or electrified pop filter, for stopping a singer/rapper from eating the mic. A friend convinced me to try them and they ended up working out great. My only experience is with the RE20, which I have and really like. To start off, I am a complete noob when it comes to audio equipment. I'm sorry, I completely missed the part where you said you wished more people would explain. I have been reading as much as I can about the SM7B and setups including it. Electro Voice RE320. I listened to the Senn. SM7b is ALWAYS a decent choice. I just bought an AT4040 on ebay for what I thought was a pretty good price ($170). Just tell the dude up front what you are doing and they are usually cool with getting one returned. Shure SM7B vs Blue Yeti The SM7b has a flatter mid section while the RE20 cuts at a few points between 400 Hz and 5kHz causing the lows and highs to sound more pronounced. The reason I like the Rode NT1 over the other two mics you're talking about is that the Rode is the only mic out of the three that doesn't have any of it's sound artificially forced. I have been reading as much as I can about the SM7B and setups including it. At4040 vs at3035; If this is your first visit, be sure to check out the FAQ by clicking the link above. Telefunken M82. The SM7b has a built-in windscreen which is helpful, but you can pop a windscreen on a 57 for a couple bucks. A -10dB pad and 80Hz high-pass filter are both switchable on the mic, and you’ll get a shockmount, dust cover, and carrying case in the box. Audio-Technica AT2050 vs Audio-Technica AT4040. The SM7B comes with 2 external windscreen/pop filters, the RE20 does not. BEST PLOSIVE REJECTION. This is Coke or Pepsi. Similarities & Differences Similarities. Totally agree the NT1 is an excellent mic for the money. However, for strong vocals and musical instruments, you will love Shure SM7B! I'm hoping this will be a big improvement. I thought that was the point of a mixer? If you’re looking for “radio” - choose the RE20. (probably good enough for hard rock or punk)...and my condensers leave a lot to be desired. It sounds great, similar to a SM7. All do respsect, but the SM7B is as much an industry standard as the RE20... To add to this, I do have an ASUS X99-A II Motherboard so Thunderbolt 3 is an option. The MV7 sounds more like an SM58 than an SM7B to me. Rode Procaster. Some more info on the history of the SM7 & SM7B: THE HISTORY AND THE FACTS. Thank you in advance. Neumann BCM705. The wide-range frequency response of the SM7B preserves the natural beauty of the sound it captures. I don't understand how you add up the power needed to power the SM7B. Telefunken M82. If you like a flatter, more natural sound, I'd lean toward the RE20 or SM7B. 4047 is another decent choice for the money. Audio Technica AT2020 vs AT2035: Comparison of two popular, best-selling and well-built microphones that are two of the highest-rated products on the market. But, when they’re put in the same competition, which will best suit you. They are both high-end, versatile, and famous mics. Rode Podmic. The frequency response of the Shure SM7B (when HPF is turned off) has a low cut prior to 700 Hz, a small flat section from 700 Hz to 4 kHz, followed by some high end chop and a drop starting at 12 kHz. Audio Technica BP40. Do this... call up your music supplier, have him send you both mics. 2. Blue Yeti vs Shure SM7B Comparison The Blue Yeti is the most popular USB microphone in the world for a reason. /r/Twitch is an unofficial place for discussions surrounding the streaming website Twitch.tv. No wonder that Shure sm7b is one of the most favorite podcast microphones in the world. If you have one of the mics could you explain your setup and the equipment used/needed. To start off, I am a complete noob when it comes to audio equipment. I would through into the mix a SM57 with the Tab-Funkenwerks output transformer. I'll have it in a couple of days and will post my $.02 on it. And the RE20 seems flatter with some more of the low end. The RE-20 and SM7 are two sides of the same coin. Unless it has a pressure compensation chamber like the RE-20 (highly unlikely), there's no way it's not going to have proximity effect. Dynamic mics are excellent for recording vocals – everything from podcasting to voiceovers to singing – and work especially well when you’re recording multiple people in the same room.. Like our similar article on the best condenser microphones, there are a variety of different models at different price points.. The black finish is really nice. For those interested, let me know which sounds better to your listening ears. Shure Sm7b Preamp Reddit Heutige Mikros können so geplant werden, dass die Herstellung einfacher ist, außerdem sind die Löhne und Rohstoffe in Nordamerika, wo das SM7B hergestellt wird (Mexiko, um genau zu sein), höher als in China, wo Shure das MV7 fertigen lässt. I have used it on vocals and it works well. Now, I looked at the frequency response graphs on both of them. If you must use SM7B, buy Apogee Duet and it will work without Cloudlifter. Re: SM7B or RE20? Introduced in 2001. My interface is currently my Line 6 HD Pro, which has only 38 dB mic gain. It's very well built. Legendary broadcast style mics. Shure SM7B. Def not cheaper. The SM58 is renowned for its on-stage prowess, specifically for vocals. My preamp is an FMR Audio RNP. Electro Voice RE20. My e835 sounds just O.K. Electro-Voice RE20. In a proper environment definitely it would be a top choice. The only option when using the Shure SM7B is the built-in yoke mount, and it allows users to easily adjust the microphone position. The other two mics are great but they register more in the middle and low areas and that's fine. Lastly,at ~$325 you can buy four SM7B's for the price of three RE20's, not that you'd need that many. The SM7B is a dynamic mic more suited for in-studio as a vocal and broadcasting microphone primarily. With the Rode you start at perfect zero instead of with the others they've already got a little in the middle and low. Discussion. Facebook Twitter Reddit LinkedIn Email. Because the AT2020 requires an external interface during use, it can end up being more expensive. 34 profiles. I see users with different programs and plugins being used. Both are dynamic microphones. The site may not work properly if you don't, If you do not update your browser, we suggest you visit, Press J to jump to the feed. Introduced in 1999. I was considering these two mics also, because I'm not getting great results on vox with my condensers or my cheap dynamic. Facebook Twitter Reddit LinkedIn Similar Threads. I just wish more people would explain why they went with the equipment that they did. Or the Heil. I just wish more people would explain why they went with the equipment that they did. Only problem is that it's a condenser mic. Used by Michael Jackson on his hit album “Thriller.” SM7A – Humbucking coil improved; design of the mic mounting yoke also improved. Shure SM7b. I can't say, Paul. The reason for this is that they are extremely affordable while sounding great. Shure SM7 vs. SM7B. Shure SM7B Vs RE20 Conclusion For broadcasting, speeches, also weak vocals and instruments, you should pick Electro Voice RE20. One of the SM7's desired properties (for radio work, anyway) has always been it's proximity effect. From Shure’s website: The mic element is based on the Unidyne III design and … (similar price point). Hello, I am looking for a nice dynamic for recording that will fit these roles: 1) Studio Voiceover 2) Kick/Bass cab 3) Intrument - Trumpet/Sax I have a Presonus Firepod for location work and a Firewire 410 for home use. - it also requires a Cloudlifter. (I should probably get an RE20 someday just to have around in case.). The RE20 has a hotter output than the SM7B, requiring a little less preamp gain. The RE20 is flatter in the bass frequencies which allows you to get a more authoritative tone. MXL BCD-1. It looks great on a boom, especially when used with the 309A shockmount … SM7B – Larger foam windscreen added. As with this number of prices, you can get more than the other expensive brands out there. It’s the industry standard mic in the United States. The male vocalist has a high, thin-ish, slightly raspy voice that is just not a good match for my AT4050 condensor. I know obs has filters for audio as well so just kind of confusing. If OP isn't in a particularly quiet area, that could pick up a lot of background noise. Lastly, is a DAW (digital audio workstation) needed? Ultimate Support MC125 Pro Studio Boom Stand A dependable, professional support solution that fulfills the exacting needs of the studio/broadcasting environment and live performance venues. With its detailed audio profile, words may travel far, but they always arrive at … Shure SM7B vs Electro-Voice RE20. Incidentally, when the RE-20 first came out, engineers discovered it sounded good on tenors. It makes a pretty darn good kick drum mic and can sound awesome on some guitar amps. It’s flexibility, build quality, and sound quality make it … I am an SM7 fan myself... but I have heard plenty of great tracks on an RE20 too. FYI the latest Chili Peppers album "Stadium Arcadium" has an RE20 + SM57 on bass cab on most tracks and an RE20 on kick (according to a recent interview with one of the main engineers). The RE20 has virtually no proximity effect, while the SM7B has quite a bit - This may make the SM7B sound a little "warmer/woolier" on vocals while the RE20 is a little "clearer/cleaner." Or a U47 if you can spend that much. As arcaxis said, you do need a decent preamp with a substantial clean gain preamp, in order to get the benefits of the SM7b, without a buttload of preamp noise. You will need the brightness and clarity to capture the sounds well. The Electro-Voice RE20 comes with a microphone clip mount. The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite for broadcasting, podcasting, and sound engineering worldwide. I like a mic that doesn't try to aim at any kind of sound and lets me do the customization. I am looking for help with it overall but was curious if people have tried both mics and which they prefer? New comments cannot be posted and votes cannot be cast. my reasoning is that i'd be able to use a LDD on stage and in studio sessions, and i'd be much more likely to use it. SM7 – Introduced in 1973 or 1976 (some discrepancy), with a U.S. retail price of $256.80. (idk if it always needs a cloudlifter or what determines that?) 1. Audio Technica BP40. Golden Age Project D2. MA200 is a decent choice, but doesnt fit very many singers. I won't go as far as to say that they're exactly the same, but I think it's safe to say this: if an SM57 isn't working on a source, there's no reason to think an SM7b will work much better under the same conditions. Post by tiger vomitt » Wed Dec 10, 2003 3:55 pm i would go with the sm7 (and i just did a few days ago in fact) becuase you have more options the low end than an re-20. I think you should add the MD441 to that list.